Back in the saddle...

... in more ways than one.

Yes, I've not updated this blog for a while. This is all down to real life commitments, damn their eyes. Not that they've not been interesting in their own way, but they tended to eat up my blogging time.

Another saddle I've settled back onto is doing some actual playing of RPGs, made more interesting by the fact that it's with a bunch of people I used to game with from the 80s to the 90s, some of whom I'd not seen in over a decade. However, we seem to have hit the ground running and despite the fact that my refereeing skills are somewhat on the rusty side.

We've kicked off with a Call of Cthulhu adventure I've written, which needs some playtesting. CoC is always a bit more of a challenge to run so the aforementioned rustiness has meant that the first evening's play probably went a bit more slowly than I had planned. That said, I hope that I'll get up to speed with it as each week passes.

The adventure is set in rural England towards the end of 1923. An accident at a Cumbrian slate quarry has left two workers dead and several others recovering from the shock. One seems to have lost his mind, whilst the other is bed-ridden with some rather odd wounds. A local doctor (an associate of one of the investigators) has asked the players to try and help him decide whether there's more to the accident, despite a coroner's ruling of 'accidental death'...

Anyway, it will soon be too light in the evenings to play CoC, so we have plans for some other RPGs. Star Frontiers and Teenage Ninja Mutant Turtles are strong contenders (the latter was last played in 1987 and was left mid-adventure, and I still pretty much remember what I had plotted out). Since we all last played, we've amassed a fair few RPG collections so we have others to chose from: Judge Dredd, Traveller 2300AD, classic Traveller, Ghostbusters, Twilight:2000 (1st edition), to name but a few...

Should be fun!

'Ace of Aces' arrives...

Many moons ago - okay, probably 1982 to be more specific - I was making my initial foray into playing RPGs. I seem to recall seeing either a flyer or magazine advert for 'Ace of Aces', although it was only recently that I remembered that it went by that title. Over the years, all I could actually remember about it was that it involved World War One aircraft and that I was drawn to the way it seemed to work as a game - that is, a kind of picture book that also provided instructions for turn-based action dogfighting.

Thanks to Kickstarter, however, I came back into contact with the game. Although I did miss the initial Kickstarter created by Flying Buffalo Inc, I put in an order and the very nice little box set (pictured above) arrived yesterday.

It's great to finally see the game in the flesh, and I'm very pleased by what I see thus far. I do still have to actually play the game with someone else, but that's something to look forward to. The rules seem straightforward enough, and even in single-player mode it looks like it'll be fun. If you want some idea as to how it's played, here's an example hosted by the game's designer, Alfred Leonardi.

The overall quality of the actual product is nicely done. The hand-sized books are well put together and can be stored in a sturdy box. Understated and quite minimalist in approach, you can dive straight into the game without too much fuss. The artwork may seem basic to some, but as it's doing it's best to function as a rework of the 1980 original I'm glad that Flying Buffalo decided not to go for a more modern digital facelift. I myself enjoy it's scratchiness and simplicity, and I'm very impressed with the sheer amount of work involved in creating so many illustrations. That must have been quite some task.

Once I've tried the game out with another player, I'll write up another post giving the details. If it sounds like something you'd like to play, or you want to reacquaint yourself with an old favourite, you can buy it here.

In the meantime, here's my own bit of aircraft-related illustration - my latest piece of cover artwork for Aérojournal magazine:

Friday night firefight...

Now I've moved house (back to the Somerset village where I grew up) and have settled in, I've been hoping to get some RPG stuff up and running as quite a few of my old RPG gang are still in the area. As a sort of prelude to organising it all, I decided to try playing Car Wars (CW) with one of that gang, my cousin Marc. I say 'try' as neither of us has played CW since 1983 and were therefore a little rusty about how it worked...

Anyway, to start off with we made sure that we had everything we needed:

This obviously includes all of the important things - track, counters, dice, rulebooks, a turning key, and booze. We were using bits of the 1st and 2nd edition rules, but I'll get back to that point a little later on...

To start with we both chose the same vehicle, a Stinger sub-compact with default loadouts - small amounts of armour, two linked MGs up front, that's it. We laid out a strip of track and started at either end going 30 mph:

My car is the one closest to the camera

We soon close the gap without making any drastic manoeuvres, and as we both come into range the guns start blazing. We score hits on each other. Marc's first shot chews 9 points out of my Stinger's 10 points of frontal armour. Ouch. My MGs reply by gouging 6 points out of his nose.

Takka takka takka...!

As we draw even closer, we both start shooting again. This time Marc takes out my last point of front armour, wipes out both of my MGs and does 1 point of damage to my powerplant. Debris flies off my car. Oops. I try to keep in a straight line so that my nose isn't facing Marc's MGs. Marc does a hard turn...

 ...but then slightly misjudges the distance and ends up ramming me, doing 4 damage to my 8 point rear armour. Oh bugger. As I try to get away, Marc fires again, knocks out the remaining rear armour and my poor driver dies after being riddled with bullets.

So, after that little skirmish, we decide to start a new duel and pick some heftier vehicles. Marc chooses a 'Vlad The Impala' (2 linked autocannons in the front, recoiless rifle and flaming oil jet at the back) and I choose a Ventura pick-up (autocannon in the front, Vulcan MG in a top turret). Both vehicles have quite a lot of armour, so in theory this game should last longer:

It doesn't. Well, not by much. After closing again, Marc's first autocannon burst knocks large chunks out of my front armour. My autocannon doesn't do much in reply, but the Vulcan gets good hits. We then get in a pretty slow turning fight and both of us also end up having to stop and reverse to get our guns trained on each other. The damn track is too narrow! Luckily my Vulcan keeps up the pressure but Marc uses the flaming oil jet to narrow my manoeuvring options.

After lots more low-speed turning, I manage to get away from him but at the expense of losing all of the armour (30 points) on my left side. My Vulcan knocks chunks out of Marc's Impala but nothing that it can't handle. However, I misjudge a turn, end up stopping and my unprotected left side waves hello at Marc as he accelerates towards me:

I'm the guy in the green car...

My driver obviously doesn't survive the hail of autocannon rounds. Game over!

So, all in all it was good fun. But it did remind us why we didn't really get into Car Wars straight away. It also reminded me of the reason why my 14 year-old self decided to try designing a simpler car combat game back in '83 (as I've outlined in this previous blog post). Put simply, it's not really what I'd call a user-friendly game from the get-go. There was some headscratching about the rules in 1983, and the same was the case in 2013. I think this might be because the game doesn't give an example of play for different situations. Having to keep track of various different things at once can also be a bit fiddly until you get used to it.

However, it's still a great game. Maybe I'll get the most up to date version. Things seemed a little clearer in the 2nd edition rules than was the case for the first edition. I'm sure with more practice we'll (a) remember more and (b) get the hang of it...

H.P. Lovecraft: Fear Of The Unknown

'H.P. Lovecraft: Fear Of The Unknown' is a documentary made in 2008. It traces the path of Lovecraft's life and work, about how each influenced the other, and the legacy that was created from that. It's also interesting because of the various people who add to this discussion - Ramsey Campbell, Neil Gaiman, and Guillermo del Toro, amongst others. Worth a look!

Cthulhu is not an octopus... Part 2

Further to the post that I wrote yesterday, here's an updated scribble of Cthulhu:

This rectifies some of the details in my previous scribble, but I think it needs more work. For example, Cthulhu needs to be more rotund, his thighs need to be longer, and I think his biceps need to be flabbier...

Cthulhu is not an octopus...

Many if not all depictions of Cthulhu tend to show him as an octopus stuck on top of a man's body. Sometimes that body also seems a tad too muscly and superhero-ish, for reasons I can't quite fathom. I've never been all that sure that such depictions are Lovecraftian enough. By that I mean that they tend to be a tad too normal, for want of a better word. 

The great thing about the various creatures created and described by Lovecraft is that they are never run of the mill. Put simply, they're odd. They're a weird amalgam of things, none of which seem particularly human-like (aside perhaps from Deep Ones, but they're cross-breeds). Certain themes tend to flow through Lovecraft's monsters, some of which tend to revolve around an apparent unease with anything fish-related. Other than that, there are tentacles or odd appendages, and hints of mollusc and wings - and that's when Lovecraft isn't completely going off on his own tangent. There isn't anything overtly described as being exactly like any of these things, however. There's just hints and scrabbling by the narrator in order to make some sense of what they're seeing.

Cthulhu is not some sort of buff guy with an octopus for a head. If anything, that tends to sell the description short. One also has to bear in mind that there are drawings of Cthulhu made by Lovecraft himself, such as this one:

Derived from the Wikipedia entry on Cthulhu

The above tends to tally more closely, of course, with Lovecraft's written description. But it also adds more flesh to the idea - in more ways than one. Rather than being a muscled super guy, the surprising thing to me is that Cthulhu is a fat blob of a thing. He has multiple eyes, of a somewhat fishy nature. The legs are almost chicken-like. There are suggestions of things that one can vaguely recognise, but as a whole it's an ugly mass that reminds the viewer of certain shapes but then goes off at a typically Lovecraftian angle. He's only octopid in a very, very vague way and he certainly doesn't have the physique of a Greek god. Okay, you might say that Lovecraft wasn't a great draftsman. I'd say that works in favour of his drawing. He's boiled things down to basic shapes and the basic gist of his mental image seems to be there.

So, taking that as my cue, I decided to rustle up a quick scribble of how this all blends together in my mind:

If anything, with more refinements and redraws I think I can make it all look much more odd in a sense that lines up more with Lovecraft's sketch. My version probably needs to be fatter and more bloated, and the mass of tentacles needs to be longer. But either way it seems that by trying to match that drawing, Cthulhu ends up looking distinctly weird.

He's odd, but he's not an octopus...

Click here for Part Two

Bestiary artwork

Over the summer I created 40 spot illustrations for the Adventures Dark and Deep Bestiary, a Kickstarter project for BRW Games. This has recently become available (via RPGNow), way ahead of schedule and looking very nice indeed!

The brief for the artwork was that it had to follow an old-school D&D line art vibe, and that the images couldn't be larger than 3.5 x 2.25 inches. This in itself was an interesting challenge, as I had to keep things relatively concise and uncrowded visually. The use of greyscale wash wasn't strictly allowed, so I had to make sure that my line work was steered in certain directions. 

Creating 40 illustrations wasn't planned from the outset. BRW's Joe Bloch would send five descriptions to me and the other artists, and we would get a new batch when those were done and signed off by him. I ended up creating 40 simply because I was inspired by the subject matter. I found that some images were much easier to create than others, as I had an idea and then had that flow from pencil to pen to paper. Others took two or more attempts to get right before I was happy to send them along to Joe.

I guess I could have made my life a little easier if I'd not tried to draw each one within the prescribed dimensions, as I could later scale them down digitally. However, that would have made for a variation in line width from image to image and skinny lines in such small illustrations could end up being somewhat illegible. I wanted to try and have the line scale stay consistent. I also tried to work with a few different drawing styles within my own general one, and then tailored that to suit the old-school vibe. Skimming between the Monster Manual and Field Folio (especially Russ Nicholson's work in the case of the latter) helped me to sqaure everything in my head as I was working.

Here are some sample thumbnails:

Clockwise: Blindheim, Titanic Spider, Shambling Mound, and Cave Fisher

Clockwise: Deadly Slime, Flumpf, Jinx Midge, and Mimic

In some images, I tried to tell a bit of a story. In others, I wanted to keep things simple and just show the creature itself. All in all, it was a very interesting project to work on!

Trawling for treasure on Ebay

I'm currently in the process of moving out of London (I've been here for 20 years and I think that's enough), hence the lack of blog activity. Anyway, despite the stresses and strains that moving house involves, I've recently been able to track down and acquire various RPG-related goodies on Ebay. This is something I do every once in a while when the idea pops into my head, as there's various things I used to own and would like to own again, or couldn't find at some earlier point in time.

So, here's the result of the latest trawl:

A few of these things were new to me, such as the Tunnels & Trolls books. These are UK reprints published by Corgi in 1986, one of which is a rulebook for the game itself and the other is Fighting Fantasy/Choose Your Own Adventure-type book. It was only recently that I found out that there was a range of miniatures for Star Frontiers, and it was great to actually find one of the box sets. Here are a few pics of what's inside:

The level of detail on these is rather good, and it's particularly nice to see a Sathar miniature. Of note is a detail on the back of the box:

For some reason, the Yazirian figures have been labelled as 'Yazarian' (along with a TM) which seems an odd little mistake and one wonders why TSR trademarked this typo.

As for the rest of the above haul, TMNT and CyberSpace were always fun games to referee, although I don't think that I got as much mileage out of them as RPGs as I wanted to. As for the Palladium Book of Contemporary Weapons, this seemed to be a little rare back in the late '80s when we played TMNT. Maybe that was just because of a lack of stockists at the time, but it was nice to finally acquire a copy. It's an interesting book as far as being a system for the Palladium RPGs (as it bases potential damage of any given weapon on the calibre and type of bullet fired) and I'd like to see how this would work in-game.

One very recent acquisition was this '80s-era Citadel Miniatures Dwarf fighter:

When I was first introduced to D&D (as detailed in an earlier blog post) I was slightly obsessed with acquiring miniatures, despite the fact that I lacked the necessary cash to fund that obsession. Nevertheless, the various dwarves made by Citadel stood out for me, and so the above example was the first one I bought. I then decided to create my first D&D character based on his gear, and thus was born Mystichi Argonshire. Seeing the miniature again was a real Proustian moment - it immediately transported me back to my 13-year old self, which was a rather strange but enjoyable experience.

Medieval & Renaissance Cartographic Sea Monsters

The always wonderful BiblioOdyssey site has an interesting review of Chet Van Duzer's book 'Sea Monsters on Medieval and Renaissance Maps'. Those of you who have cartographical leanings in your RPGs may find this a source of inspiration.

Artwork for Gygax Magazine #2

A month or so ago, a chance note on the Old School Gamers Facebook group put me in touch with Jayson Elliot, editor-in-chief for Gygax Magazine. After a very interesting 90-minute chat with him on Skype, I volunteered to create a full-page illustration for an adventure that appears in issue #2. This is for The One Ring RPG, entitled 'The Hare and the Hill Giant', and is written by Shane Ivey. 

The plot for this interested me and a couple of ideas for a composition immediately sprang to my mind, primarily because trolls feature strongly in the plot. Here's a scribble of an initial idea:

However, I was cutting things a little fine. I had around 3 days to create the image and get it signed off, as the deadline was fast approaching. That's a rather quick turnaround time. Not only that, but the weather here in London decided to take a turn for the worse - at least, as far as creating artwork is concerned. Temperatures were around the 33 degrees C mark (that's just over 90 degrees F), which isn't at all good if you're working with gouache and ink in a room that has no air conditioning. I wanted to get back into working with pen and wash, although the conditions weren't ideal, but your brave author indomitably slaved away regardless...

Anyway, once I'd had a few tries at the overall composition, things started to fall into place. I'd also managed to work up two other sketches more fully with the goache/ink treatment. So here is the final full-page piece:

And here are the two spot illustrations:

Everything came out okay in the end, I'm happy to say. It was an interesting challenge, to say the least. I wanted to keep the main image fairly neutral. Rather than depict a combat scene - as it's not a given in the adventure - I chose instead to have a troll surveying his new-found residence as dusk closes in. I had a variety of options for my depictions of the creatures, and this came out in the smaller drawings.

Hopefully the weather will be better when I work on my next piece! Oh, and for the record, everything was done on Bristol Board using Pilot DR and Unipin pens, Windsor & Newton inks and gouache, and a Faber Castell water-soluable pencil.

Even more Fortean stuff...

Further to my own dabblings in Forteana (via my timelines here and here), here are a few more places of interest online:

Passing Strangeness

Strange Company

Beachcombing's Bizzare History Blog 

Atlas Obscura

All contain a wealth of interesting articles on a variety of subjects with a Fortean angle: archaeology, the paranormal, history, science, folkore, etc and are very much worth a look!

Nice dice...

3D printing is rather cool, and seems to be improving all of the time. Some interesting dice designs can be seen here at Shapeways. Okay, some can be a bit pricey but there are a variety of cheaper options which are just as pleasing to the eye. Worth a look!

Sheep-eating plants and Medieval comic strips...

'It's coming straight for us...!'

According to this BBC report, a sort-of carnivorous plant called Puya chilensis is about to bloom. This is a rare thing for UK-based examples. The above image doesn't really do the plant justice - there's a better photo here. The idea of carnivorous plants has always been of interest to me, especially how they'd factor into a D&D setting. The way that Puya chilensis gets a meal could possibly work in D&D, although perhaps with some more active way attacking. Or maybe it's just very good at snaring the beards of passing dwarfs who've had a few too many drinks...

Meanwhile, over at the Medieval News blog there's an interesting 12th century 'comic' on show. By having a larger figure overlaid onto the text and smaller images, the page above looks almost modern in it's design.

How to make armour...

Further to my most recent post about Medieval armour, there's an interesting blog called How To Make Armour. This provides some insights into how various types of objects from the period can be made, which could come in quite handy when trying to draw such things. I've always found that it's much easier to draw something if you know how it's constructed - that includes the human body, armour, cars, etc.

Similar information can also be found at Age of Armour, which also includes a some great photos of compeleted commissions.

Medievalists.net may also slake your thirst for further knowledge about the Medieval world.

Helmets from the Age of Armoured Combat

There are some great photos of weird and wonderful armoured helms to be found at this page over at io9. Some are of the rather showy ornamental type, but all could provide inspiration for anyone who wants their plate armour to stand out in a crowded dungeon...

'Adventures Dark and Deep Bestiary' Kickstarter

This Kickstarter has just passed the mark for including illustrations for 300 monsters. There are only a few days to go before funding ends - more cash means more illustrations!

More info can be found here...

Kickstarter for the 'Adventures Dark and Deep Bestiary'

This project will be 'A book of more than 900 monsters for the Adventures Dark and Deep game, but usable with many Old School RPG systems'. The Kickstarter has 12 days to go - the more funds it raises, the more artwork will be created for it. You can also sponsor one or more pieces of artwork.

I'll be one of the artists who will be illustrating the book. Should be fun!

More info can be found here...